The Webster Corp & Jon Abrahams to make Catholic/Jewish movie

The Webster Corp

The Webster Corp & Jon Abrahams Catholic Filmmakers…

Jon Abrahams

In Malibu, The Webster Corp & Jon Abrahams are looking to bring Tobit, a modern comedic Jewish family adventure spec by professor/scribe Anthony Mackie. The Pic will be produced by The Webster Corp, through his Amsterdam Ink Society, along with Jon Abrahams and Adam Sandler’s Entertainment Group.  They will be represented by Agency For The Performing Arts and Tobit.

Anthony Mackie Tobit Writer

PREMISE: Tobit is an observant Dutch Jew living in Amsterdam. He lives correctly, giving alms and burying the dead. In spite of his good works, Tobit is struck blind. Concurrent with Tobit’s story is that of Sarah, daughter of one of Tobit’s distant relative, whose seven successive husbands are each killed by a demon on their wedding night. When Tobit and Sarah pray to God for deliverance, God sends the angel Raphael to act as intercessor. Tobit regains his sight, and Sarah marries Tobit’s son Tobias. The story closes with Tobit’s thanksgiving and an account of his death. This is actually a Jewish short story possibly dating from Persian times in some Bibles is the book of Tobit, named after the father of its hero.

TITLE: Tobit (script download)

ACTORS: Mel Gibson invovled in Tobit movie!

GENRE: Religious drama, Jewish drama, drama.

TIME: 1920-1040

SETTING: Amsterdam, Neatherlands

MARKET: USA, International

MORE INFO: this site

Gross-Weston Productions Inc & Tom Welling

Unexpectedly, a massive wave forty feet high rushes toward the ship’s bow. Captain Malone sees a YOUNG SAILOR picking up his gear and who isn’t aware of the oncoming wave.

Bpastswain! Muster your men below, the deck is secure.


CAPTAIN JACOB MALONE is attentive to the work being done and the safety of his men. Captain Malone cups his mouth with his right hand as he shouts, but his voice can barely be heard.

The Webster Corp

Nieuwe Uilenburgerstraat 91

1011 LM Amsterdam


If you write your script in these four files, that’s all the worrying you have to do about structure—because if you end each file/module with a big twist in the story, your major plot points are going to fall right into place where they should be.

Since forest people like to “wing it,” I’m setting up a system within which you only have to wing it one-quarter of the script at a time. Your four files, then, will naturally become Act One, the first half of Act Two, the second half of Act Two, and Act Three.

See what I’m doing?

Each file/module except the last one must end with a zinger of a plot point.