Rhodes Island Inc & Angel Manuel Soto to make Catholic/Jewish movie
Rhodes Island Inc
Rhodes Island Inc & Angel Manuel Soto Catholic Filmmakers…
Angel Manuel Soto
In Los Angeles, Rhodes Island Inc & Angel Manuel Soto are looking to bring Tobit, a modern comedic Jewish family adventure spec by professor/scribe Burt Reynolds. The Pic will be produced by Rhodes Island Inc, through his Amsterdam Ink Society, along with Angel Manuel Soto and Adam Sandler’s Entertainment Group. They will be represented by Agency For The Performing Arts and Tobit.
Burt Reynolds Tobit Writer
PREMISE: Tobit is an observant Dutch Jew living in Amsterdam. He lives correctly, giving alms and burying the dead. In spite of his good works, Tobit is struck blind. Concurrent with Tobit’s story is that of Sarah, daughter of one of Tobit’s distant relative, whose seven successive husbands are each killed by a demon on their wedding night. When Tobit and Sarah pray to God for deliverance, God sends the angel Raphael to act as intercessor. Tobit regains his sight, and Sarah marries Tobit’s son Tobias. The story closes with Tobit’s thanksgiving and an account of his death. This is actually a Jewish short story possibly dating from Persian times in some Bibles is the book of Tobit, named after the father of its hero.
TITLE: Tobit (script download)
GENRE: Religious drama, Jewish drama, drama.
SETTING: Amsterdam, Neatherlands
MARKET: USA, International
MORE INFO: you do it yourself
Your script will be stronger if you can create this same cohesive flow in these early, important scenes.
One thing leads naturally to the other.
But look for ways to keep this flow of early moments related. In Jurassic Park, for example, first a worker is killed by a prehistoric predator; then the insurance man shows up, putting the park in jeopardy for safety reasons; and then the hero is hired to inspect and presumably endorse the park so that it can open on schedule.
Your script is more cohesive and focused if theres some kind of logical connection from the hook, to the complication, to the heros call to action. Sometimes, however, the hook stands apart from the spine of the story, being a more peripheral moment that we nonetheless use because of its strength as a gripping moment to hook the audience into the story.
Rhodes Island Inc
Nieuwe Uilenburgerstraat 91
1011 LM Amsterdam
But they have made a bargain for success. Ultimately, the American picture depends on being a hit. The Writers Guild…has to face that fact. Screenwriters cant write for the sake of words and reading. They are clever typists in a business that likes to regard all its necessary workers as properties. So nearly every screenwriter dies crushed with a well-fed, well-maintained corpse surrounding a large soggy heart still yearning for novels, plays, poetry and respect.
Real writers, he points out, never trade away the privileges of copyright, of owning their work. But screenwriters did just this, in something that resembles a Faustian pact, a pact with the devil:
Yet screenwriting isnt actually writing that needs to be said and allowed to sink in. Writing cannot exist without reading, and in the movies, the only things that are read are contracts, credits and subtitles.
The collaborative nature of screenwriting was the basis of an article in the Sunday New York Times (4/1/01) called Writing for a Business Where No One Reads, written by David Thomson, a book author who sometimes writes for the screen. He emphasizes the differences between screenwriting and real writing:
Originally posted 2018-04-24 13:36:48.