Catch Productions Inc & Rachel Luttrell to make Catholic/Jewish movie

Catch Productions Inc

Catch Productions Inc & Rachel Luttrell Catholic Filmmakers…

Rachel Luttrell

In Burbank, Catch Productions Inc & Rachel Luttrell are looking to bring Tobit, a modern comedic Jewish family adventure spec by professor/scribe Diego Luna. The Pic will be produced by Catch Productions Inc, through his Amsterdam Ink Society, along with Rachel Luttrell and Adam Sandler’s Entertainment Group.  They will be represented by Agency For The Performing Arts and Tobit.

Diego Luna Tobit Writer

PREMISE: Tobit is an observant Dutch Jew living in Amsterdam. He lives correctly, giving alms and burying the dead. In spite of his good works, Tobit is struck blind. Concurrent with Tobit’s story is that of Sarah, daughter of one of Tobit’s distant relative, whose seven successive husbands are each killed by a demon on their wedding night. When Tobit and Sarah pray to God for deliverance, God sends the angel Raphael to act as intercessor. Tobit regains his sight, and Sarah marries Tobit’s son Tobias. The story closes with Tobit’s thanksgiving and an account of his death. This is actually a Jewish short story possibly dating from Persian times in some Bibles is the book of Tobit, named after the father of its hero.

TITLE: Tobit (script download)

ACTORS: Mel Gibson invovled in Tobit movie!

GENRE: Religious drama, Jewish drama, drama.

TIME: 1920-1040

SETTING: Amsterdam, Neatherlands

MARKET: USA, International

MORE INFO: Prison Petition in California, CA – Happy Madison

http://www.screenplay.biz/new-screenplays/irredeemable-screenplay-download-pdf/

Gross-Weston Productions Inc & Tom Welling

Cindy has learned a lot about marketing in the traditional “school of hard knocks,” one’s own experience. Here is some of what she’s learned:

With your permission I would like to send the 110-page WGA registered screenplay for your review. Is a standard release acceptable, or is there an in-house one you would prefer? Thank you for your time and consideration. I look forward to hearing from you.

Set against the glittering backdrop of Las Vegas, Noble and his family discover taking a gamble is not always an act of desperation, it can be a statement of faith. Noble has little time to set things right, and for the first time in his life, he’s not sure what right is.

Noble McAlaster struggles with keeping secret a truth that could forever change his strained relationship with his daughter, in an attempt to demonstrate his love for his terminally ill wife. Noble fears if his secret is known his family will misinterpret his actions as those of redemption, rather than selfless love.


Catch Productions Inc

Nieuwe Uilenburgerstraat 91

1011 LM Amsterdam

 

Among my students, writers with fiction backgrounds have the hardest time with screenwriting. This is because the rhetorical universes of these two narrative forms are so far apart. Consequently, when they begin screenwriting, students with fiction backgrounds greatly overwrite everything that goes into the action element: descriptions of place, descriptions and movement of characters. Moreover, they wallow in getting into their characters’ heads, something that is rarely done, if ever, in screenwriting.

Screenplay Rhetoric v. Fiction Rhetoric

Use this as a model for your own rhetorical style.

At the level of rhetoric, note that this is only a step above “See Spot run.” Rhetorical variety is added with compound verbs and modifying elements but notice that not a single subordinate clause is present—no complex sentences!