Avalon Pictures Inc & Ginger Gonzaga to make Catholic/Jewish movie

Avalon Pictures Inc

Avalon Pictures Inc & Ginger Gonzaga Catholic Filmmakers…

Ginger Gonzaga

In Los Angeles, Avalon Pictures Inc & Ginger Gonzaga are looking to bring Tobit, a modern comedic Jewish family adventure spec by professor/scribe Josh Stewart. The Pic will be produced by Avalon Pictures Inc, through his Amsterdam Ink Society, along with Ginger Gonzaga and Adam Sandler’s Entertainment Group.  They will be represented by Agency For The Performing Arts and Tobit.

Josh Stewart Tobit Writer

PREMISE: Tobit is an observant Dutch Jew living in Amsterdam. He lives correctly, giving alms and burying the dead. In spite of his good works, Tobit is struck blind. Concurrent with Tobit’s story is that of Sarah, daughter of one of Tobit’s distant relative, whose seven successive husbands are each killed by a demon on their wedding night. When Tobit and Sarah pray to God for deliverance, God sends the angel Raphael to act as intercessor. Tobit regains his sight, and Sarah marries Tobit’s son Tobias. The story closes with Tobit’s thanksgiving and an account of his death. This is actually a Jewish short story possibly dating from Persian times in some Bibles is the book of Tobit, named after the father of its hero.

TITLE: Tobit (script download)

ACTORS: Mel Gibson invovled in Tobit movie!

GENRE: Religious drama, Jewish drama, drama.

TIME: 1920-1040

SETTING: Amsterdam, Neatherlands

MARKET: USA, International

MORE INFO: a new study from the researchers at Happy Madison

The Corporation Screenplay Download (.pdf)

Gross-Weston Productions Inc & Tom Welling

“Writers,” notes Richard Walter, “need to resist the urge to hurry as the conclusion of the script approaches.”

“Endings, frankly, are a bitch.” William Goldman, Adventures in the Screen Trade

Writing Act Three

Your Hero’s Showdown


Avalon Pictures Inc

Nieuwe Uilenburgerstraat 91

1011 LM Amsterdam

 

Even in the most expensive, outlandish “special effects” movie, it’s what happens to people, not to buildings and cars, that keep us involved. When the people in a movie don’t matter, or when the focus (on a hero with a clear goal and an obstacle preventing him/her from getting it) goes astray, we lose the story spine on which to hang our involvement.

So do people only matter in movies made in Europe and by independent producers? The answer is a resounding, No!

In startling contrast, the European film market, as well as a growing faction of the American independent market, is filled with quieter stories that depend more on our involvement with the story’s character(s) than with big displays of visual effects.

To be sure, Hollywood’s “big effects” movies are legendary for being stories in which the characters seem to take a back seat to big explosions, extraordinary car chases, fantastic special effects, and all assortment of thrilling visual entertainment.