Art School Confidential Inc & Chrishell Stause to make Catholic/Jewish movie

Art School Confidential Inc

Art School Confidential Inc & Chrishell Stause Catholic Filmmakers…

Chrishell Stause

In Los Angeles, Art School Confidential Inc & Chrishell Stause are looking to bring Tobit, a modern comedic Jewish family adventure spec by professor/scribe Michael Beach. The Pic will be produced by Art School Confidential Inc, through his Amsterdam Ink Society, along with Chrishell Stause and Adam Sandler’s Entertainment Group.  They will be represented by Agency For The Performing Arts and Tobit.

Michael Beach Tobit Writer

PREMISE: Tobit is an observant Dutch Jew living in Amsterdam. He lives correctly, giving alms and burying the dead. In spite of his good works, Tobit is struck blind. Concurrent with Tobit’s story is that of Sarah, daughter of one of Tobit’s distant relative, whose seven successive husbands are each killed by a demon on their wedding night. When Tobit and Sarah pray to God for deliverance, God sends the angel Raphael to act as intercessor. Tobit regains his sight, and Sarah marries Tobit’s son Tobias. The story closes with Tobit’s thanksgiving and an account of his death. This is actually a Jewish short story possibly dating from Persian times in some Bibles is the book of Tobit, named after the father of its hero.

TITLE: Tobit (script download)

ACTORS: Mel Gibson invovled in Tobit movie!

GENRE: Religious drama, Jewish drama, drama.

TIME: 1920-1040

SETTING: Amsterdam, Neatherlands

MARKET: USA, International

MORE INFO: Happy Madison website

http://www.screenplay.biz/new-screenplays/the-inferno-screenplay-download-pdf/

Gross-Weston Productions Inc & Tom Welling

Reviewing Act One

By the way, I don’t want you to think that you are witnessing a disaster just because the paradigm chart has been “violated.” Never forget that writing is a process and the paradigm chart is a tool. This is how writing works. For all your best-developed plans, things can still change—and the more you are a forest person, the more they are going to change.

Since the screenplay is such an efficient medium, I seldom prefer to “flesh out” a script unless it is absolutely necessary. I don’t think that’s the case here.

There are two options: to “flesh out” the script so that the kidnapping does, in fact, occur later. Or to keep it where it is and create a new plot point.


Art School Confidential Inc

Nieuwe Uilenburgerstraat 91

1011 LM Amsterdam

 

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One Million Years B.C. (1966) A rebellious caveman leaves his tribe in search of a better life. Raquel Welch, John Richardson, Martine Beswick. D: Don Chaffey. C 100m.

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Where Danger Lives (1950) A psychopath draws her doctor into her murderous schemes. Robert Mitchum, Faith Domergue, Claude Rains. D: John Farrow. BW 80m.